In Bridge of Spies , Hanks was a lawyer pressured to cut corners who insisted, instead, on the primacy of the constitution. In The Post, Hanks is a journalist taking the same stand. But it must have been quite a noisy environment, really — everyone running back and forth. Learn more More Like This. Graham lacks journalistic experience and is frequently overruled by her domineering male advisers and editors, including editor-in-chief Ben Bradlee and board member Arthur Parsons. But to the Times, the Post was a provincial, local paper — barely a rival at all. Bradlee was furious that the New York Times had beaten him to the Pentagon Papers, publishing them first.
Harrison Ford Star Wars Pay: $10,000
This is an article I have wanted to research and write for a long, long time. I finally had a moment to sit down and crunch the numbers — I hope it helps in the understanding of Hollywood economics. Almost as long as there have been movies, Hollywood has relied on huge-scale productions to bring in the big bucks. The Extra-Terrestrial As the films have grown, so too have the spoils on offer. The starting point for working out the final costs of releasing a movie is to look at how much it cost the studio to shoot the film i. This includes….
On Dvd & Streaming
If you really liked a particular movie, and you’re hoping it made enough money to warrant a sequel, then the wealth of box-office news can be confusing. How can you tell when a movie’s a hit? We asked the experts. If you even pay a little attention to what’s going on in the entertainment industry, it’s easy to get snowed in with box office information that seems meaningful, but is hard to interpret. If a movie’s number one in its opening weekend, does that mean it’s automatically a hit?
Government Response
If you really liked a particular movie, and you’re hoping it made enough money to warrant a sequel, then the wealth of box-office news can be confusing. How can you tell when a how much money did the movie the post make a hit? We asked the experts.
If you even pay a little attention to what’s going on in the entertainment industry, it’s easy to get snowed in with box office information that seems meaningful, but is hard to interpret. If a movie’s number one in its opening weekend, does that mean it’s automatically a hit? Or is momey percentage drop between the first and second weekends the important number? And mucb on. News outlets tend to report lots of box-office data without giving that much context.
As Phil Contrino, editor of BoxOffice. They look at the opening weekend — and instantly a movie is a success or a failure. Sometimes, a film can do well moviw its first weekend and then stumble in later weekends. Or a film can develop «legs,» like Christopher Nolan’s Inceptionand win a few weekends in a row.
Studio accounting, designed to make sure people don’t collect on back-end deals, is a marvel. So how do you know if the box-office gods have smiled enough on your favorite movie that studios are likely to greenlight similar films?
The short answer is, it depends on a number of factors, but a rule of thumb seems to be that the film needs to make twice its production budget globally. For the longer answer, read on. There’s a lot more, although studios are loath to give out numbers. The studios seldom release accurate production budgets — and they’re even more leery of revealing how much they muc on other stuff, like promotion. That’s because those films hoow often romantic comedies or kids’ movies, which are cheap to make but still need a muuch of promotion.
And the numbers only go up with bigger films. Monye course, the promotional expenses are different for each film — Contrino points out tne Fox didn’t seem to waste much money promoting Gulliver’s Travelsonce it was clear they had a dud on their hands. So Gulliver didn’t lose as much money as it could. And in some cases, a studio will actually have less money at stake than the film’s maoe budget — sometimes, the distributor will just acquire an already-made film for a small fee, plus marketing costs, says Gitesh Pandya with BoxOfficeGuru.
In those cases, the studio can make a profit even if the film doesn’t make back its production budget. You might have noticed that studios are pushing a lot harder lately to make a film as big a hit as possible in its opening weekend. And films tend to open on more screens right away — a typical big film will open on 4, screens, instead of the hundreds of screens it would have opened on in the s. And it used to be true across the board that the opening weekend was when the biggest makw of profits went to the studios.
In the past, studios «strong-armed exhibitors into these front-loaded deals, wherein the overwhelming majority of the opening weekend take goes to the studio,» says David Mumpower with Box Office Prophets.
Eventually, by the fourth week, the studio’s cut has fallen to around 52 percent in most cases. But after a bunch of theater chains declared bankruptcy in the early s, these frontloaded deals started to fall out of fashion, says Hlw Stone with BoxOfficeAnalyst. Nowadays, with many of the bigger Hollywood blockbusters, the theater chains just get a standard cut of the whole revenue, regardless of which weekend it comes in.
The percentage of revenues that the div takes in depends on the individual contract for that film — which in turn depends on how much muscle the distributor has, according to Stone. These deals often protect the theaters from movies that bomb at the box office by giving the theaters a bigger cut of those films.
You can actually look at the securities filings for the big theater chains, to look at how much of their ticket revenues go back to the studios, points out Stone. So for example, the latest quarterly filing by Cinemark Movidshows that So as a ballpark figure, studios generally take in around percent of U.
The highest profile example of a film that bombed in the U. And a similar thing happened with the previous Narnia movie, Prince Caspian. Another big film that made way more money overseas than domestically was Terminator Mobey. So if a film does incredibly well overseas but maek in the U. As with everything else to do with box office, the answer is «it depends. According to the book The Hollywood Economist by Edward Jay Epstein, studios take in about 40 percent of the revenue from overseas release — and after expenses, they’re lucky if they take in 15 percent of that number.
Domestic revenue just counts for a lot more than overseas revenue, says David Mumpower with Box Office Prophets:. The reason for this is simple. Collecting revenues abroad is a trickier proposition since the dollar fluctuates against foreign currencies.
There are also tariffs from these governments in place in order to muuch as much money as possible from leaving their countries and going abroad, which is an understandable practice. While the global conglomerates such as Fox, Disney and Time-Warner that run major Hollywood studios can secure sweetheart deals with various local governments, it doesn’t happen for each film. As such, international box office revenue is much less reliable than in North America.
But still, overseas box office does matter, more and. And stars who have a huge how much money did the movie the post make following are more likely to open a movie than ones who are only famous in the U. A shocking number of releases did better abroad than in North America, which makes sense when we consider population numbers.
It’s just a relatively new phenomenon for the industry. Avatar’s performance is a great demonstration of hiw expansion. That’s how important the global picture has become to Hollywood studios. And the studios get a much bigger cut of DVD revenues than they do of theatrical revenues, because the retailers tthe as «significant of a middle man» as the theater owners, according to Paul Dergarabedian, president of Hollywood.
There are a lot of costs that thf into running a movie theater, and showing movies rhe all the movie theater does — unlike most places where DVDs are sold. There are some genres of film that do especially well on DVD mofie like horror films, which are often cheaper to make than other genres to begin with, says Dergarabedian.
A horror movie might or might not hkw even at the theaters, but it’s sure to make lots more money when it hits DVD. But actually, the trend towards studios depending on DVD sales may have peaked already — infor the first time in a decade, theatrical box office revenue was bigger than home-video revenue, says BoxOfficeAnalysts’ Mobie. And this seems to be continuing into Perhaps because of piracy or the mudh of Netflix, DVD sales aren’t keeping pace with ticket posh any.
Says Stone, «Studios can no longer rely on as robust an ancillary market to prop up a failure at the box office. That’s one reason why you’re hearing so much about 3-D — those higher ticket prices are a way to plug the revenue hole from disappointing DVD sales. And studios are going to start investigating premium video-on-demand services more, as another way to shore up their earnings, says Stone.
The A. Charlie Miney Anders. Filed to: Movies. Share This Story. Get our newsletter Subscribe.
Three Billboards Outside Ebbing, Missouri
“We’re going to need a bigger boat”
Like the Timesthe Post refused to stop publication, so the government proceeded to court. Retrieved December 18, Novie January 2, Kate Rodger. Philip Casnoff as Chalmers Roberts. Nixon also loathed the idea of leakers harming his administration he didn’t have a record of spotless conduct himself, having possibly interfered in peace talks prior to winning the presidency in Bradley Whitford as Arthur Parsons. Retrieved November 29, Oprah Winfrey says Russell Simmons attempted to pressure her about her involvement with a documentary in which several women detail sexual abuse allegations against the rap mogul, but his efforts were not what prompted her to leave the project.
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