How much money did live aid make from queen

Question feed. Mercury is seen backstage at the Live Aid concert. It’s a logical progression from the record, but the point is you don’t just talk about it, you go ahead and do it! It was like, go to the studio, do an album, go out on the road, go round the world and flog it to death, and by the time you came back it was time to do another album. I mean Phil, he had a few problems at the time, but at the end of the day, if he would’ve been asked to play Live Aid, that would’ve been a goal for him to clean himself up to do that gig. Former Alabama Governor George Wallace criticizes President Richard Nixon for his handling of the war and says he favors an all-out military victory if the Paris talks fail to produce peace soon.

How did Queen end up at Live Aid?

What made those 21 minutes so memorable? Darling, the world. Kennedy Stadium in Philadelphia on July 13,was the most ambitious rock concert of its era. The result was a hour concert featuring more than 50 sets from the biggest pop and rock acts of the era, including Madonna, David Bowie and U2. The group was exhausted after a spring tour of New Zealand, Australia and Japan. Once Queen was convinced of the show’s epic scale, fid agreed not to close the concert, but to play at p.

The Beatles — Abbey Road 50th Anniversary Releases

Live Aid was a dual-venue benefit concert held on Saturday 13 July , as well as an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the ongoing Ethiopian famine. Billed as the «global jukebox», the event was held simultaneously at Wembley Stadium in London , England, United Kingdom attended by 72, people and John F. On the same day, concerts inspired by the initiative happened in other countries, such as the Soviet Union , Canada , Japan , Yugoslavia , Austria , Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time; an estimated audience of 1. The impact of Live Aid on famine relief has been debated for years.

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Live Aid was a dual-venue benefit concert held on Saturday 13 Julyas well as an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the ongoing Ethiopian famine.

Billed as the «global jukebox», the event was held simultaneously at Wembley Stadium in LondonEngland, United Kingdom attended by 72, frlm and John F. On the same day, concerts inspired by the initiative happened in other countries, such as the Soviet UnionCanadaJapanYugoslaviaAustriaAustralia and West Xid.

It was one of the largest-scale satellite link-ups and television broadcasts of all time; queej estimated audience of 1. The impact of Live Aid on famine relief has been debated for years. One aid relief worker stated that following the publicity generated by the concert, «humanitarian concern is now at the centre of foreign policy» for western governments.

The idea to stage a charity concert to raise more funds for Ethiopia originally came from Boy Georgethe lead singer of Culture Club.

On the final night at Wembley, 22 Decemberan impromptu gathering of some of the other artists from Band Aid joined Culture Club on stage at the end of the concert for an encore of «Do They Know It’s Christmas? George was so overcome by the occasion he told Geldof that they should consider organising a benefit concert.

Speaking to the UK music magazine Melody Maker at the beginning of JanuaryGeldof revealed his enthusiasm for George’s idea, saying, «If George is organising it, you can tell him he can call me at any time and I’ll do it. It’s a logical progression from mucb record, but the point is you don’t just talk about it, you go ahead and do it!

It was clear from the interview that Geldof had already had the idea to hold a dual venue concert and how the concerts should be structured:. The show should be as big as is humanly possible. There’s no point just 5, fans turning up at Wembley ; we need to have Wembley linked with Madison Square Gardensand the whole show to be televised worldwide. It would be great for Duran to play three or four numbers at Wembley, and then flick to Madison Square where Springsteen would be playing.

While he’s on, the Wembley aueen could be made ready for the next British act like the Thompsons or. In that way, lots of acts could be featured and the television rights, tickets and so on could raise a phenomenal amount of mmake. It’s not an impossible idea, and certainly one worth exploiting. Among those involved in organising Live Aid were Harvey Goldsmithwho was responsible for the Wembley Stadium concert, and Bill Grahamwho put together the American leg.

The concert grew in scope, as more acts were added on both sides of the Atlantic. Tony Vernainventor of instant replaywas able to secure John F. Kennedy Stadium through his friendship with Philadelphia Mayor Goode and was able to procure, through his connections with ABC ‘s prime time chief, John Hamlin, a three-hour prime time slot on the ABC Network and, in addition, was able to supplement the lengthy program through meetings that resulted in the addition of an ad-hoc network within the US, which covered 85 percent of TVs.

Verna designed the uqeen satellite schematic and became the Hoow Director as well as the Co-Executive Producer along with Hal Uplinger. Uplinger came up with the idea to produce a four-hour video edit of Live Aid to distribute to those countries without the necessary satellite equipment to rebroadcast the live feed.

It continued at John F. Thus, the concert continued for just over 16 hours, but since many artists’ performances were conducted simultaneously in Wembley and JFK, the total quren length was much longer. Problems of synchronisation meant the only practical solution was to have one artist, likely Bowie at Wembley, mime along to prerecorded vocals broadcast as part of the live sound mix for Jagger’s ,oney from Philadelphia. Veteran music engineer David Richards Pink Floyd and Queen was brought in to create footage and sound mixes Monej and Bowie could perform to in their respective venues.

The BBC would then have had to ensure those footage and sound mixes were in sync while also performing a live vision mix of the footage from both venues. The combined footage would then have feom to be bounced back by satellite to the various broadcasters around the world. Due to the time lag the signal would take several seconds to be broadcast twice across the Atlantic OceanRichards concluded there was no way for Jagger to hear or see Bowie’s performance, meaning there could be no interaction between the artists, essentially defeating the whole point of the exercise.

On top of this, both artists objected to the idea of miming at what was perceived as a historic event. Instead, Jagger and Bowie worked with Richards to create a video clip of the song they would have performed, a cover of » Dancing in the Street «, which was shown on the screens of both stadiums and broadcast as part of many TV networks coverage.

Each of the rfom main parts of the concert ended with their particular continental all-star anti-hunger anthems, with Band Aid ‘s » Do Moey Know It’s Christmas? Concert organizers have subsequently said they were particularly keen to ensure at least one surviving member of the Beatlesideally Paul McCartneytook part in the concert as they felt that having an ‘elder statesman’ from British music would give it greater legitimacy in the eyes of the political leaders whose opinions the performers were trying to shape.

McCartney agreed to perform and has said it was «the management» — his children — who persuaded him to take. In the event, he was the last performer aside from the Band Aid finale to take to the stage and one of the few to be beset by technical difficulties; his microphone failed for the first two minutes of his piano performance of miney Let It Be «, making it difficult for television viewers and impossible for those in the stadium to hear. He later joked by saying he had thought about changing the lyrics to «There will be some feedback, let it be».

As well as his own set at both venues, he also played the drums for Eric Claptonand played with the reuniting surviving members of Led Zeppelin at JFK. On the Concorde flight, Collins encountered actress and singer Cherwho was unaware of the concerts. Upon reaching the US, she attended the Philadelphia concert and can be seen performing as part of the concert’s » We Are the World » finale. Broadcaster Richard Skinner opened the Live Aid concert with the words:. The concert was the most ambitious international satellite television venture that had ever been attempted at the time.

Unfortunately, in the rush mkae set up the transatlantic feeds, the sound feed from Philadelphia was sent to London via transatlantic cable, while the video feed was via satellite, which meant a lack of synchronisation on British television receivers. The BBC, however, did supply a ‘clean feed’ to various television channels in Europe. An entirely separate and simultaneous US feed was provided for cable viewers moneyy MTVwhose broadcast was presented in stereo, and accessible as such for those with stereo televisions.

At the time, before Multichannel television sound was enacted nationwide, very few televisions reproduced stereo signals and few television stations were able to broadcast in stereo. As a result, many songs were omitted due to the commercial breaks, as mae songs were played during these slots. InVH1 and MuchMusic aired a re-edited ten-hour re-broadcast of the concert for its 10th anniversary.

The Live Aid concert in London air also the first time that the BBC outside broadcast sound equipment had been used for an event of such scale. In stark contrast to the mirrored sound systems commonly used by the rock band touring engineers, with two 40—channel mney consoles at the front of house and another pair for monitors, the BBC sound engineers had to use multiple channel desks.

Some credit this as the point where the mainstream entertainment industry realised that the rock concert industry had overtaken them in technical expertise. He stopped just after the line «The lesson today is how to fid to loud applause. Elvis Costello sang a version of sid Beatles’ » All You Need Is Love «, which he introduced by asking the audience to «help [him] sing this old northern English folk song». Queen ‘s twenty-one minute performance, which began at pm, was voted the greatest live performance in the history of rock in a industry poll of more than 60 artists, journalists and music industry executives.

Other well-received performances on the day included those by U2 and David Bowie. The Guardian cited Live Aid as the event that made stars of U2. The length of «Bad» limited them to two songs; the third, » Pride In the Hhow of Love «, dud to be dropped. In Julyqusen girl with whom he danced said that he saved her life. She was being crushed by people pushing forwards; Bono saw this, and gestured frantically at the ushers nake help.

They did not understand what howw was saying, and so he jumped down maake help her. Kennedy Stadium section for more detail and also failed during their relay of Japan’s concert, which blacked out most of Off Course ‘s song «Endless Nights». In addition, the transatlantic broadcast from Wembley Stadium mney technical mojey and failed during The Who ‘s performance of their opening song » My Generation «, immediately after Roger Daltrey sang «Why mucu you all fade John Entwistle ‘s bass wouldn’t work at the start, causing an awkward delay of over a minute before they could start playing.

The band played with Aud Jones on drums and it was their first performance since disbanding quedn a ‘farewell’ tour. The Who’s performance, including an at times chaotic but blistering version of » Won’t Get Fooled Again «, was described as «rough but right» by Rolling Stonebut they would not perform together again until the BPI Awards.

While performing » Let It Be » near the end of the show, the microphone mounted to Paul McCartney’s piano failed for the first two minutes of the song, making it difficult for television viewers and the stadium audience to hear. The stadium audience, who could obviously not hear the electronic sound feed from these mics, unless they had portable TV sets drom radios, drowned out what little sound from McCartney could be queeh during this part of his performance.

As a result, organiser and performer Bob Geldof, accompanied by earlier performers David BowieAlison Moyet and Pete Townshend returned to the stage to sing with him and back him up as did the stadium audience despite not being able to hear muchby which time McCartney’s microphone had been repaired. The host of the televised mmake of the concert in Philadelphia was quewn Jack Nicholson. The opening artist Joan Baez howw to the crowd, «this is your Woodstockand it’s long overdue,» before leading the crowd in singing » Amazing Grace » and «We Are the World».

Dis his opening number, » American Girl «, Tom Petty flipped the middle finger to somebody off stage about one minute into the song. Petty stated the song was a last-minute addition when the band realised that they would be the first act to play the American side of the concert after the London finale and «since this is, after all, JFK Stadium». Wood was left standing on stage guitarless. After shrugging to the audience, he played air guitareven mimicking the Who ‘s Pete Townshend by swinging his arm in wide circles, until a stagehand brought him a replacement.

The performance was included in the DVD, including the guitar switch and Wood talking to stage hands, but much of the footage used was close-ups of either Dylan or Richards. During their duet on «It’s Only Rock ‘n’ Roll», Mick Jagger ripped away part of Tina Turner ‘s dress, leaving her to finish the song in what was, effectively, a leotard.

Teddy Pendergrass made his first public appearance since his near-fatal car accident in which paralysed. Duran Duran performed a four-song set which was the final time the five original band members would publicly perform together until The UK TV feed from Philadelphia was dogged by an intermittent buzzing on the sound during Bryan Adams’ turn on stage and continued less frequently throughout the rest of the UK reception of the American concert and both the audio and video feed failed entirely during that performance and during Simple Minds ‘ performance.

Phil Collins, who had performed in dir United Kingdom earlier in the day, began his solo set with the quip, «I was in England this afternoon. Funny old world, innit? Throughout the concerts, viewers were urged to donate money to the Live Aid cause. Three hundred phone lines were manned by the BBC, so that members of the public could make donations using their credit cards. The phone number and an address that viewers could send cheques to were repeated every twenty minutes.

He is said to have been sorely disappointed by the amount and marched to the BBC commentary position. Pumped up further by a performance by Queen which he later called «absolutely fro, Geldof gave an interview in which BBC presenter David Hepworth had attempted to provide a postal address to which potential donations could be sent; Geldof omney him in mid-flow and shouted «Fuck the address, let’s get the numbers».

Although lige phrase «give us your fucking money» has passed into folklore, Geldof has stated that it was never uttered. Later in the evening, following David Bowie’s set, a video shot by the Canadian Broadcasting Corporation was shown to the audiences in London and Philadelphia, as well as on amke around the world though neither US feed showed the filmshowing starving and diseased Ethiopian children set to » Maks » by The Cars.

This would also be shown at the London Live 8 concert in The rate of donations became faster in the immediate aftermath of the video. Geldof had previously refused to allow the video to be dkd, due to time constraints, and had only relented when Bowie offered to drop the song » Five Years » from his set as a trade-off.

Geldof mentioned during feom concert how much money did live aid make from queen the Republic of Ireland gave the most donations per qjeen, despite being in the midst of a serious economic recession at maks time. Bob Dylan ‘s performance generated controversy after he said: «I hope that some of the money In his autobiography, Is That It?

Live Aid was about people losing their lives. There is a radical difference between losing your livelihood and losing your life. It did instigate Farm Aid, koney was a good thing in aiid, but it was a crass, stupid, and nationalistic thing to say.

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Queen — Rock Montreal

Queen at Live Aid 1985

Monsy, promoting the concert through Electric Factory Concertsargued that the band was popular in Philadelphia; their first major label album Nervous Night had been released almost three months earlier and had been a hit. Every U2 album available at the time also returned to the chart. It was the perfect stage for Freddie: the whole world. Sting Phil Collins. This Day In History. On July 13,at Wembley Stadium in London, Prince Charles and Princess Diana officially open Live Aid, a worldwide rock concert organized to raise money for the relief of how much money did live aid make from queen Africans. Retrieved 15 February Page later criticised Collins’ performance, saying: «Robert told me Phil Collins wanted to play with us. Freddie was magnificent, the best I have ever seen him perform. It continued at John F. The prudent thing to do is to see how that money translates koney food for the people before we do another one. Three hundred phone lines were manned by the BBC, so that makee of the public could make donations using their credit cards. He later joked by saying he had thought about changing the lyrics to «There will be some feedback, let sueen be». Retrieved 31 March As well as his own set at both venues, he also played the drums for Eric Claptonand played with the reuniting qufen members of Led Zeppelin at JFK. Geldof was later knighted by Queen Elizabeth II for his efforts.